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Live Free Or Die Hard – The U. S. is under attack. A criminal mind is attacking the system with modern secrets. It is now up to Detective John McClane and brilliant computer hacker Matt Farrell to find and stop whoever is doing the attacking.

High Crimes – Lawyer Claire Kubik has just been told that her spouse is not who she thinks he is. Tom Kubik is in fact Ron Chapman, and he is on trial in the military justice system for the slaying of villagers in Latin America. Claire takes on the case but just what will she find out, as the truth is unraveled?

Only You – Likable confection in reference to a young girl who invests her entire life looking for her perfect mate whose name was summoned up on a Ouija board. Cast includes Marisa Tomei, Robert Downey, Jr., Bonnie Seek, Joaquim De Almeida, Fisher Stevens, and Phyllis Newman. (108 minutes,’94)

Sugar Town – Pleasurable variety of LA life characterizing a handful of characters whose lives join together – a musician aspirant who’ll do anything to get ahead, an uptight lone lady who allures the inappropriate men like a magnet, and a band made up of cleaned-up ’80s rock megastars, to name a few. Made on a shoestring, although intelligent and well recognized; outstanding cast comprises a variety of actual musicians. Cast includes Ally Sheedy, Rosanna Arquette, John Taylor, Jade Gordon, Michael Des Barres, Lucinda Jenney, and Martin Kemp. (92 minutes,’99)

Alfie – Well redone version of Bill Naughton play he additionally wrote. Caine is marvelous as philandering Cockney playboy who is put in a very difficult situation. Cast includes Michael Caine, Shelley Winters, Millicent Marin, Julia Foster, Jane Asher, Shirley Anne Field, Graham Stark, and Murray Melvin. (114 minutes,’66)

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The Ploughman’s Lunch – Difficult, skeptical disapproval of British behaviors, ethics and affairs of state, focusing on the maneuvers of wholly egotistical journalist (Pryce) and others throughout the Falklands battle. The film is relatively perceptive, within the restraints of its outlook. Cast includes Jonathan Pryce, Tim Curry, Rosemary Harris, Blunt Finlay, and Charlie Dore. (100 minutes, 1983)

The Sentinel – From 1977- Easy yet tedious shocker in reference to N. Y.C. fashion model, who leases a residence in Brooklyn, discovers it is full of demons and she is the next protector for the entry to Hell. Cast includes Cristina Raines, Ava Gardner, Chris Sarandon, Burgess Meredith, Sylvia Miles, Jose Ferrer, Arthur Kennedy, John Carradine, Christopher Walken, Eli Wallach, Jerry Orbach, Jeff Goldblum, Beverly D’ Angelo, Martin Balsam, William Hickey, and Tom Berenger. (93 minutes, 1977)

The Cheyenne Social Club – A cowboy with very little money inherits and runs the Cheyenne Social Club which to his surprise turns out to be a brothel in the Old West. The film has lots of chuckles, although stereotypes are plentiful throughout the movie. Cast includes Henry Fonda, James Stewart, Shirley Jones, Sue Ane Langdon, and Elaine Devry. (103 minutes, 1970)

Trading Hearts – Trading Hearts is a romantic comedy in which a intelligent young daughter (Lewis) tries to exploit her mom (D’ Angelo), a show-biz failure, into matrimony with a busted-down baseball player (Raul Julia). Cast includes Raul Julia, Beverly D’ Angelo, Jenny Lewis, and Parris Buckner. (88 minutes, 1988)

Dracula Has Risen From The Grave – Dracula runs afoul of tiny-town monsignor while he chases the churchman’s attractive blonde niece. Cast includes Christopher Lee, Rupert Davies, Veronica Carlson, Barbara Ewing, Barry Andrews, and Michael Ripper. (92 minutes, 1968)

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Having survived a couple of World Wars, countless recessions, the indignation of lifestyle police, and most recently the video game phenomenon it appeared that pinball was just too tough to kill. Thats why it was a surprise when WMS Industries, the dominant player in the industry for the past decade and the maker of Williams and Bally machines, announced that it was getting out of the business several years ago. WMS wasn’t in any sort of financial peril, but rather they wanted to focus on their more lucrative slot machine and video poker business.

At one point, pinball dominated the arcade. During the mid to late 1970s and on the heels of the movie version of the Who pinball themed rock opera Tommy arcades nationwide featured row upon row of gleaming new machines from one of over a half dozen US manufacturers (with many others made worldwide). The first salvo of the video game industry was fairly innocuous”Pong didnt do much to dent pinballs popularity since it didnt exactly offer the same immersive challenge. Besides, it took two to tango when it came to Pong, so that game and its progeny had more of an impact at the home level (and paved the way for what would become a huge industry). The first challenge to the popularity of the pinball machine in the arcade began with Midways Space Invaders and Ataris Asteroids. These games could be played alone, and offered the same sort of escapism that pinball provided. For the arcade owner, these games took up less space, required less maintenance, and offered a higher customer turnover.

Pinball hung in there, however, and through the early eighties continued to make some solid games. The ones that come immediately to mind are games like Firepower (which helped launched the now ubiquitous multi-ball feature), Black Knight (offering an early version of the looping ramps found on many modern machines) and a couple of fun machines from Bally Paragon and Flash Gordon. Several games were spun off from video games, including a couple of good ones”Spy Hunter and Space Invaders and a number of not so good ones based on the Pac Man video games. Bally even made a game called Baby Pac Man that was a video/pinball hybrid. For awhile, the choice between pinball and video games was similar to the choice between Pepsi and Coke: both were equally pervasive and it was simply a matter of personal preference.

It was the late 1980s”when video games became more technologically advanced and began to offer superior play experiences”that pinball lost its way. Depending on the manufacturer, they did it in different ways. Gottlieb and others made simple, traditional games that just couldnt compete with their video counterparts. Bally and other manufacturers went the opposite route”by cramming so much onto a playfield that the game hardly resembled traditional pinball. Some of Ballys late 1980s games”with so much playfield gimmickry going on”were nearly unplayable. By this point”and in large part due to the paucity of compelling pinball machines turned out during this era”video had taken over the arcade. Some larger arcades continued to offer a few pinball machines to placate hardcores, while some eliminated pinball altogether.

Pinball began to experience a bit of a comeback in the 1990’s driven by well designed, enjoyable games that finally got the balance between traditional gameplay and modern technology right. Williams and Bally (whom WMS later acquired), along with Data East, were making the majority of new games and some would become classics. Pin-Bot, Earthshaker The Adams Family and Diner are among my favorites of this era. Articles started to appear in the traditional media about the durability and timelessness of pinball, about how the average pinball machine received much more repeat business than the average video game and about the devotion of the pinball player.

The final nail in the coffin, however, were a number of societal changes beyond the pinball manufacturers’ control. For one, video games and video arcades became less profitable as companies like Sony and Nintendo were able to transform a lot of the high end gameplay to the home platform. Fewer people were going to malls, and they werent staying as long when they did. Mega-malls like the Mall of America and the Forum Shops at Caesar’s were the exception to this, but there just werent enough to these to sustain demand.

So what now? Stern Pinball”recently spun off by Sega”is still committed to building new games, but their track record is spotty and certainly not in the league with Williams/Bally. Theyll have a harder time marketing the games, and as a result theyre not a company that will be able to bring the industry roaring back. At this point, it appears that the only hope for pinball players is that some effort will be made to preserve the machines that already exist. With the capital investment required for a new company to get into the business, its hard to envision any new manufacturers popping up.

Ross Everett is popular culture editor for The Savage Science, a website covering both MMA news and popular entertainment culture. He’s an also a fight sport expert, and reportsUFC news for several mainstream sports broadcasts and websites. He’s practiced several martial arts forms since childhood and holds a black belt in judo.